Italian Early Renaissance Painter, 1267-1337 Italian painter and designer. In his own time and place he had an unrivalled reputation as the best painter and as an innovator, superior to all his predecessors, and he became the first post-Classical artist whose fame extended beyond his lifetime and native city. This was partly the consequence of the rich literary culture of two of the cities where he worked, Padua and Florence. Writing on art in Florence was pioneered by gifted authors and, although not quite art criticism, it involved the comparison of local artists in terms of quality. The most famous single appreciation is found in Dante's verses (Purgatory x) of 1315 or earlier. Exemplifying the transience of fame, first with poets and manuscript illuminators, Dante then remarked that the fame of Cimabue, who had supposed himself to be the leader in painting, had now been displaced by Giotto. Ironically, this text was one factor that forestalled the similar eclipse of Giotto's fame, which was clearly implied by the poet.   Related Paintings of GIOTTO di Bondone :. | Scenes Nos | The birth, with the giornate indicated | Dream of Innocent III | Birth of Christ | St Lawrence |
Related Artists:
Melendez, Luis Eugenio
Spanish, born in Italy, approx. 1716-1780
Hannah Brown Skeele
Hannah Brown Skeele (1829 - 1901)
MEULEN, Adam Frans van der
Flemish painter (b. 1632, Bruxelles, d. 1690, Paris). Flemish painter and draughtsman, active also in France. He was the eldest son of the seven children of Pieter van der Meulen and his second wife Marie van Steen Wegen. He went to study with Pieter Snayers, court painter in Brussels, on 18 May 1646, and in 1651 he became a master in the Brussels painters' guild. Probably soon after he married Catherina Huseweel. During the first 15 years of his career, the so-called Brussels period, he painted small-scale genre and history scenes with political and military events in the Baroque style of Sebastiaen Vrancx, Pieter Snayers and Jan Breughel the elder. Typical examples are a Cavalry Battle (1653; Geneva, Mus. A. & Hist.), a Ceremonial Entry into Brussels (1659; Kassel, Gemeldegal.), a General on Campaign (1660; Madrid, Prado) and a Hunting Scene